I just did an interview with Kindred Cities Blog about my life, art, and living in Saskatchewan. Give it a read here!
You only have two more chances to catch the show! Click here for tickets.
The Saskatoon StarPheonix published it’s review – check it out in full here.
“There’s a lot to love… Is it a perfect production? No. Does it hit all the right emotional notes? Certainly. Peters… and the Saskatoon Opera can consider this production a dazzling success.”
Lots on the go at the moment! We’re half way through rehearsals for Saskatoon Opera‘s La Boheme. I can’t wait to share this grand production with you. The singers and designers are doing wonderful work!
Plus, rehearsals for Sum Theatre’s Queen Seraphina and the Land of Vertebraat are about to start. I had the pleasure of being involved in the devising process for this piece and I can’t wait to see it fully staged!
January will be a big month! Lots of applications and submissions (including one I handed in just this morning!). But most importantly, I invite you to check out Sum Theatre’s Theatre on the Trail.
Over the past few months I have had the privilege of working with a very talented group of Indigenous and Newcomer artists as they reflected on what it means to be connected to the land and to be treaty people. I am very proud of the resulting work which you can see as part of the Winterruption Festival January 18th to 20th.
This month is chock full of things!
First up is Chalk House on October 12th, where I’ll be doing some clown in an intimate house-concert style performance alongside the amazing spoken word poet Isaac Bond.
After that will be the Short Cuts Festival from October 13th to 15th, at which I’ll be directing a play called Street Corner Playwright by Kenneth T. Williams.
Finally, late in the month a production on which I’ve been working for several months will debut for Saskatoon audiences. Since the Spring I’ve been working with storytellers and the fine folks at It’s Not A Box to create the latest iteration of a pod-play (iPod-based play) called Overhear that will run later in the month. Stay tuned for details.
Back at it!
After a summer spent doing some more amazing clown training at The Manitoulin Conservatory for Creation and Performance – and then some actual, honest-to-goodness vacationing – I am back in Saskatoon and raring to go!
In addition to my ongoing work with Sum Theatre, here are a few things to tell you about:
Live Five Season Launch
September 9th, 7pm, Refinery Arts and Spirit Centre, 609 Dufferin Ave
I’ll be performing a clown turn (sketch) at the season launch for Live Five. There’ll be other clowns, musical acts, sketch comedy, and an introduction to their exciting season.
Antigone: Then and Now, Here and There
September 18th, 7pm, John Mitchell Building, U of S Campus – I’ve been working with the wonderful Curtis Peeteetuce on a project combining the ancient Greek story of Antigone with Indigenous culture, language, and history. A team of artists will present some of that work at a free event (details on the poster included at the bottom of this post).
Short Cuts Festival
October 13 to 15th, 8pm nightly, Refinery Arts and Spirit Centre, 609 Dufferin Ave
I’m honoured to be directing a play by a former professor, Kenneth T. William, at this wonderful festival of 10-minute plays. The festival has sold out almost every performance since it began, so get your tickets early!
Next up for me is an original piece I will be presenting at an exciting, underground performance festival. I’ll be showcasing some works in progress from a larger piece I am currently creating. I’m calling the excerpts A Man, A Clown, A Man.
A bit about the piece (which may raise more questions than it answers): a clown comes to terms with his masculinity – or tries to – while a poet looks deeply into himself – or tries to.
The festival takes place at AKA/Paved Arts in Saskatoon January 7th and 8th, 2017. Stay tuned for the final schedule.
I am pleased to announce that I have accepted the position of Artistic Associate with Sum Theatre. It’s a company whose work I believe in strongly. I’m thrilled to be undertaking this new role with such a wonderful team.
How’s this for a wonderful mandate for a theatre company? “We build strong communities by creating and producing innovative and exciting live professional theatre experiences. Our work is driven by passion, integrity, inclusivity, and a sense of humour. We are always pursuing new ideas, partnerships, and adventures.” Fantastic.
My work with Embrace Theatre will continue – as will my work around town as an independent artist and educator.
Here’s to a new adventure!